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Applied arts. Arts and crafts --- postage stamps --- medals --- decorative arts [discipline] --- numismatics --- paper money --- Néama, May
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Wallpaper --- History. --- Dutch wallpaper --- to date --- Manufacturing technologies --- History --- wallpapers --- upholstered walls --- Netherlands --- 747.03 --- achttiende eeuw --- behang --- interieurvormgeving --- leer --- Nederland --- negentiende eeuw --- papier --- textiel --- twintigste eeuw --- zeventiende eeuw --- 747:645.2 --- Interieurkunst ; behangpapier --- Wandbekleding ; behang ; Nederland ; geschiedenis --- 676.267 --- 684.75 <492> --- 747 <492> --- 676.267 Decorative papers (treated by mechanical means). Patterned paper. Marbled paper. Embossed paper. Cre_*pe paper. Clupak --- Decorative papers (treated by mechanical means). Patterned paper. Marbled paper. Embossed paper. Cre_*pe paper. Clupak --- 747 <492> Interieurkunst. Binnenhuisarchitectuur--Nederland --- Interieurkunst. Binnenhuisarchitectuur--Nederland --- 684.75 <492> Hangings for living rooms. Window hangings. Wall hangings. Arrases--Nederland --- Hangings for living rooms. Window hangings. Wall hangings. Arrases--Nederland --- Wall-paper --- Decorative paper --- Wall coverings --- Paperhanging --- Interieurkunst ; wandbekleding, behangpapier --- Drukken --- Specialismen --- Behangpapier --- Geschiedenis --- Ontwerpers --- Druktechniek --- Specialisme --- Behang --- Ontwerper --- Geneeskunde --- Techniek (wetenschap) --- Atlas --- Museum --- Ecologie --- Vietnam --- Zuid-Afrika --- Kust --- Literatuur --- Applied arts. Arts and crafts --- murals [general, decorations on wall] --- Noordelijke Nederlanden --- decorative arts [discipline]
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Paper and cardboard as sustainable building materials are currently the subject of research and testing in building practice. They can be produced inexpensively, are made from renewable raw materials and are completely recyclable. The focus of their application is on temporary uses, such as for transitional schools, emergency shelters or “microhomes”. Properly protected from moisture and fire, the material proves to be durable. Design and aesthetic qualities are by no means neglected, as case studies by Pritzker Prize winner Shigeru Ban demonstrate: the Chengdu Elementary School, the Paper Concert Hall in Aquila or the Cardboard Cathedral in Christchurch all provided a sign of hope after devastating earthquakes. This introduction explains the technology of building with cardboard and paper and shows a wide range of examples.
Building materials. Building technology --- Architecture --- corrugated board --- paper [fiber product] --- building paper --- papier --- Ban, Shigeru --- Construction en carton --- Détail de construction --- Structure légère --- Papier --- Matériau recyclé --- Construction durable --- Constructions en carton --- Fibres végétales (matériaux de construction) --- Sustainable architecture --- Building materials --- Plant fibers as building materials --- Architecture durable --- Construction --- Fibres végétales (Matériaux de construction) --- Matériaux --- Architectuur. --- Duurzaam ; bouwen.
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Models are generally understood as filtered interpretations of the environment, without the distraction of a multitude of various stimulations. In architecture they lean toward the utopian, showing how much better things could be: neither details nor decay can obfuscate the splendor of the new development on display. My own association with models has often taken advantage of the untouched and timeless quality they can offer. Parallel to those efforts, the materiality and transitory potential of paper and cardboard as such - materials we are all rather familiar with, in terms of makeshift projects and provisional usefulness- have not only moved from the margins of my studio to the center of my attention, but have also prompted a different approach. Looking at the details and the little pockets, edges, and coincidental collocations of the objects in front of me allowed me to emphasize their sculptural potential in an abstracted composition, instead of reading them as identifiable renderings of buildings. Taking this detour, this may well be my most photographic work to date, looking closely at someone else's models and process in a workshop which could be my own - but isn't. (Thomas Demand)
Art --- photographs --- sculpture [visual works] --- maquettes [sculptures] --- preparatory studies --- Demand, Thomas --- Art, German --- Photography, Artistic --- Paper art --- Models and modelmaking --- fotografie --- kunst --- architectuur --- maquettes --- papier --- eenentwintigste eeuw --- Duitsland --- Demand Thomas --- 77.071 DEMAND --- Model-making --- Modelling --- Modelmaking --- Handicraft --- Manual training --- Miniature objects --- Modelmaking industry --- Simulation methods --- Paper work --- Demand, Thomas, --- Lautner, John, --- Demand, Thomas Cyrill, --- SANAA Ltd. --- Kazuyo Sejima + Ryue Nishizawa/Sanaa --- Kazuyo Sejima, Ryue Nishizawa & Associates --- SANAA (Firm) --- SANAA/Sejima + Nishizawa --- Sejima + Nishizawa --- Sejima and Nishizawa and Associates Ltd. --- Kazuyo Sejima and Associates --- Exhibitions --- Photography --- Architecture --- architecture [discipline] --- artistieke fotografie
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Published on the occasion of a major solo exhibition of Thomas Demand's work at Belgium Museum M Leuven in October 2020, this book focuses on Demand's relationship to architecture and his engagement with architects over almost fifteen years. The starting point is his ongoing series "Model Studies", in which the concept of the model itself is key, and includes rarely shown projects such as 'Black Label' (2009), 'Embassy' (2007), and 'Nagelhaus' (2008). The book is accompanied by essays from Adam Caruso (Architect and Professor of Architecture and Construction at the ETH Zurich), Maristella Casciato (Curator of Architecture, Getty Research Institute, Los Angeles) and Emily Pugh (Architectural historian, Getty Research Institute, Los Angeles), Aude-Line Dulière (Architect and Professor at the Architectural Association, London), Karen Van Godtsenhoven (Associate curator at the Fashion Institute, Metropolitan Museum, New York), and Valerie Verhack (Curator at M Leuven). With contributions by Arno Brandlhuber and Rirkrit Tiravanija.
fotografie --- kunst --- installaties --- maquettes --- eenentwintigste eeuw --- Demand Thomas --- papier --- 77.071 DEMAND --- 77.092.07 --- Demand, Thomas °1964 (°Munchen, Duitsland) --- Modellen ; maquettes --- Sculpturale objecten ; installaties ; gemaakt van papier --- Tentoonstellingscatalogi ; Leuven ; museum M --- Fotografen A - Z --- Exhibitions --- Paper sculpture --- Staged photography --- Architectural models --- Thomas Demand --- Exhibitions. --- Art and architecture --- Demand, Thomas, --- Demand, Thomas --- Architectuurtheorie --- Art --- Architecture --- maquettes [sculptures] --- photography [process] --- design drawings --- architecture [object genre] --- cardboard --- Boyce, Martin --- Tiravanija, Rirkrit --- Brandlhuber, Arno --- Caruso St John Architects [London] --- Demand, Thomas.
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